More movie trailers

Saw the trailer for Miami Vice. I'm old enough to vaguely remember the show -- mostly I remember the music, and falling asleep on the couch after begging Mommom to let me stay up and watch with her. Um, not even the possibility of Ciaran Hinds, Jamie Foxx and Michael Mann (I think) as director are enough to make me willing to see it. Colin Farrell does NOT work with blond streaks -- he looks quite skanky, which may have been the point.

Also saw the preview for World Trade Center. Are people ready to see that? How did Flight 93 do at the box office?

SBD -- good writing

It is Smart Bitches Day!

Time to think up something fabulous and smart and succinct and intellectual and [insert other adjectives here] about romance as a genre. Or even about a particular romance novel. But I haven't been reading romance all week, I've been rereading: Novik's His Majesty's Dragon and Lois McMaster Bujold's Paladin of Souls. My only romance reading this week was Nora Roberts' new release Angels Fall. I have stuff to say about that book, but I'm still mulling it over. So, back to Paladin of Souls.

I'm an LMB fangirl. I've managed to pawn her off on family, friends, coworkers and now blog readers (check out Jennie's review of A Civil Campaign. I've blogged about how I notice new stuff in The Curse of Chalion every time I read it. Well, while rereading Paladin of Souls, I realized something new and re-realized something I'd already thought about. First, at heart, POS is women's fiction. Yes, there is adventure and a little thread of romance, but the heart of the book is Dowager Royina Ista escaping her old life and building a new one. Early in the book, she tells another character that half her life is behind her and the remaining half in front of her; she doesn't know what she wants, only what she doesn't want. She feels bereft and angry -- at herself and at her gods; she doesn't seek death, although she does seek numbness. She sets out on a "pilgrimage" -- but she isn't seeking anything from the gods, only escape. Before long, her travels are overtaken by adventure, both military and mystical. I get caught up in the plot, so I hadn't realized how very much this is WF before. Old life abandoned -- check; loss of loved one and ensuing grief -- check; carry over issues from spouse/marriage -- check; building of new life -- check. I tend to avoid WF, mostly because I find it not so romantic or entertaining: too much angst and grief -- if I wanted to know about marriage issues and recalcitrant children, I would pick up the phone and call friends and/or family to hear about it in real life.

Second realization (not so new) is that religion permeates this book. I'm an areligious person, thinking most of the grief in the world can be traced back to organized religion. But this religion doesn't bother me, probably because: 1) it is utterly unrelated to any of the big three dominant religions, and 2) it strikes me as being similar to older pagan religions, with the god and goddesses being mother, father, son, daughter and bastard. Even while creating this new theology, LMB recognizes the tension between beliefs -- the tension between nations in her world is in part a result of geopolitics and partly related to the fifth god -- is he a god or a demon? Quintarian believers vs. Quadrene believers.

How can I read this book, given that it is saturated with religion and is women's fiction, however adventurous and fantastic? I don't know, but I can. And it's the mark of a very good writer that those things don't bog me down or get in the way of telling an engrossing tale.